“I want stories about Asian women who are both good and bad, who drive their own narratives, and make up their own minds. I want stories about Asian women who get to adventure, fight, run away, fall in love, not fall in love, destroy their enemies, plot wicked plots, exact revenge, save the world, or be wonderfully ordinary.“
I was fortunate enough to contribute to few interviews and round-table discussions in the lead-up to the release of Black Cranes.
Angela Yuriko Smith lets me waffle on about migration, the model minority myth, exploring our darker selves, and wanting characters who can do everything. Also, my dad teases primary-school-me about my character name choices.
The Black Cranes, myself included, share the inspiration behind our spooky stories on the Horror Tree Blog Tour.
Last but not least, Ginger Nuts of Horror hosts a three-part campfire chat with all the writers and editors about otherness and dark fiction. Delicious stuff.
My short story, Father’s House, is in Aurealis #129.
Here’s my ‘Story Behind The Story’:
Father’s House sprang from three concepts mashing together unexpectedly in my head. The technology to map and deconstruct the human brain is growing increasingly sophisticated. How long will it be before we try to replicate a human mind in digital form? More importantly, when we do so, how closely can we say it represents the original? At the time I was mulling about this, the Voluntary Assisted Dying Act came into effect in Victoria—and with it, the crucial issue of determining capacity to consent. Finally, this story holds a great deal of personal significance. I was reflecting on the things that parents pass on to their children: stories spoken aloud, and stories so hidden they’re only a vague feeling. Like Henry, we carry pieces of previous generations in us, and we grapple with them throughout our lives.
You can purchase the issue or sign up as a subscriber through the Aurealis website.
Our fathers left their lands to look for better ones.
They left their lands and their loved ones and the lives they had built up around nice jobs and nice houses and the corner-shop snacks of their childhood. They went overseas, often alone at first. Searching for new homes and small money. Trading in the clunky words of a new language, trying not to look the fool. Modern day scouts for their fledgling families.
The weapons of our fathers were moderation and caution. For their families, it was better to have a safety net than an SUV. They learnt to calculate when not to take risks and when to hold their tongues. Because they could not rise in the ranks of a foreign company through youth or charm or eloquence or appearance, they learnt to put their heads down and swallow racism and work hard and complain little.
They weathered anxiety so that we would not have to. They absorbed worry, turned it over and over silently, wore it down. Buried it deep, heaped it over with other things. Traded their dreams for their children’s.
Our fathers put their cultural memories into a little box that they brought with them to the new land, and sometimes opened. The children laughed, thinking that there was no use for such things in this new, loud, opportunistic place. We dismissed their wariness, not knowing that it allowed us to survive, and ventured bravely forth into the world, believing it is ours.