2022 Round-Up and Awards Eligibility

Just to change things up, I decided to pair my stories for 2022 with ~vibes~ and recommended drinks!

I published 4 short stories and 1 novel in 2022. (The novel, Every Version of You, was published in Australia and New Zealand.)

If you like the sound of any of them, I’d be honoured if you gave them a look and considered them for awards nominations.


NOBODY EVER GOES HOME TO ZHENZHULightspeed

~vibes~: Interstellar detective noir; acid rain battering roadside stalls; love-hate relationships with your shipmates; punching up against the system

drink: rice wine, preferably hot with floral notes

TO THE DARK SIDE OF THE MOONHexagon

~vibes~: melancholy love in a feminist utopia; dude in distress; brooding cyborgs and coy androids and shiny spaceships

drink: a warm, creamy matcha latte with a drizzle of honey

AS THOUGH I WERE A LITTLE SUNFireside Fiction

~vibes~: cosy; bittersweet; a tree remembers how she became a tree

drink: pear and red date soup (or any sweet, clear soup)

DEATH BY WATERFrom The Waste Land, PS Publishing (paperback available, e-book forthcoming)

~vibes~: an abandoned space mission; underwater caverns choked with ice and water; threads of memory, love, hope, rebirth, regeneration

drink: shots of strong coffee, swigged with each scene break

EVERY VERSION OF YOUAffirm Press

~vibes~: “how to stay in love and feel real after mind-uploading into virtual reality”

drink: make a pot of your favourite tea, sip it slowly, until it’s bitter and cold; when you reach the final chapter, you may brew a fresh pot.


The Epoch Engine, my story for Magic the Gathering’s newly launched Kamigawa: Neon Dynasty plane, was published in February.

I published poetry for the first time: Inertness in Going Down Swinging (illustrated by the otherworldly, fantastic James Alexander Martin) and Symmetry, in the Winter 2022 edition of The Victorian Writer.

I published two non-fiction articles: a personal piece in SBS Voices and a column for Meanjin’s What I’m Reading. I also did a few interviews and podcasts.


In summary? 2022 was a year unlike any other. It was exhausting, delirious, wonderful, overwhelming, fuelled by sugar and adrenaline. But I feel incredibly lucky–that Every Version of You is out in the world, and that I managed to publish a bunch of short pieces.

If you want more of a reflection about the joys and challenges of this year, I’ll be sending out my year-end newsletter soon, so jump onto my Substack if you haven’t!

As always, thank you for following my work. I hope the stories whisk you away to adventures surreal, fantastic, and futuristic.

Awards Eligibility and 2021 Round-Up

I have a grand total of one (1) delightful story for your awards consideration!

He Leaps for the Stars, He Leaps for the Stars (5300 words) was published in Clarkesworld Issue 178 in July 2021. It’s a science fiction story about Yennie, a lonely 22nd century pop idol on Enceladus. It features quantum entanglements, yearning, superfans, machine learning, duplication, and duplicity.

I’m incredibly grateful to Neil Clarke for the publication. Thank you also to Karen Burnham for Locus Magazine for including it as a Recommended Story: ‘This portrait of fame with its costs and benefits is very well done.’

He Leaps for the Stars, He Leaps for the Stars was also praised in Maria Haskins’s July 2021 Short Fiction Round-up: ‘Science fiction with a tender, gentle heart and spirit, this story is bittersweet and lovely through and through.’

And in Vanessa Fogg’s July-August 2021 Short Fiction Recs: ‘Wildly inventive, lyrical, and ultimately moving.’ Thank you!


I am also eligible for the Astounding Award for Best New Writer!


Looking ahead to 2022…

I’ve been working on a bunch of things due for publication in 2022.

  • Look out for two new short fiction pieces: As Though I Were a Little Sun in Fireside Magazine, and Nobody Ever Goes Home to Zhenzhu in Lightspeed Magazine.
  • My debut novel, Every Version of You, is steadily approaching the final stages of the editing process! Also, I’ve had a first sneak peek of the cover design! Publication has been shifted from February to September 2022.
  • I have an illustrated poem in the works, accepted for publication in Going Down Swinging online.
  • And finally, I’ve written a short story for a major game franchise, and I look forward to sharing that early next year.

Thanks again for following my work. I’ll probably do a bit more of a reflection on writing and growth in my newsletter. So if you haven’t signed up for that, take a peek at the link above.

Between work, life and extended lockdowns, I haven’t been able to prioritise writing as much as I’d hoped this year, but I do feel like I’m gradually finding my voice: figuring out what I want to write about and what I’d like to channel my time and energy towards.

I look forward to working on more writing projects in the new year. I hope you’ll stay tuned!

Of Hunger and Fury – Black Cranes: Tales of Unquiet Women

I can’t believe it was only in June that I was wrangling my Malaysian Chinese gothic ghost story into shape. I’m pleased to share that the twisty, creepy, moody, indigestible thing has become Of Hunger and Fury, my original fiction contribution to Black Cranes: Tales of Unquiet Women.

At risk of being expelled from the horror community, I will admit that, at the start of my writing journey, I didn’t intend to write horror. I wanted to write stories that explored the interior world of marginalised women of colour, and demonstrate the multitudinous forms of quiet resilience. I wanted to contribute to a collective pulling-apart of existing stereotypes and make these characters fascinating and terrifying in their unfamiliar three-dimensionality.

I enjoy using empathy as a specific language to the reader. In this piece, I played with sensuality and body horror to force the reader to experience being the monster. I transpose you into the character’s skin–to make you feel what she feels, to become her.

That’s why, for instance, I thought Jordan Peele’s Us was so clever. [WARNING: SPOILER AHEAD!] Us was jarring and memorable because, for the duration of the movie, you are Adelaide. You live in her skin. You feel the horrific other-ness of the doppelgangers. And then, finally, in a compelling twist…you become them. The forced becoming of the other is powerful because it challenges your notions of who deserves to be centred and who deserves to be excluded.

I’m incredibly thankful to editors Geneve Flynn and Lee Murray for inviting a newcomer like me to contribute to this anthology. I’m so glad that your convention-hall chat morphed into this darkly delicious project, and I’m grateful for all the hard work you put in behind the scenes to craft Black Cranes.

A reprint of my Aurealis and Norma K Hemming Award shortlisted story, The Mark, also appears in Black Cranes.

Black Cranes: Tales of Unquiet Women is available from the publisher (paperback), Amazon (ebook) or Amazon AU (ebook).

Jigsaw Children – Clarkesworld

I think I’m reasonably lucky, only having five parents. I guess my donors didn’t have too many risk mutations. Some of my classmates have been spliced together from eight, nine, even twelve donors. I don’t envy them the task of juggling their Chinese New Year dinners.

In 2018, I scribbled an opening line in the back of my diary: ‘I have three mothers and two fathers.’

A few weeks later, I had an unwieldy sci-fi story about gene splicing, mothers, attachment, and identity, set in near-future Hong Kong. It was too long. It had a terrible first title (which I changed, thanks to my writing bud’s feedback).

But I liked Lian’s story. I reworked it. Submitted.

And held my breath.

And screamed a bit (OK, a lot) when I saw the acceptance email.

Jigsaw Children has just been published in Clarkesworld’s February 2020 issue, alongside five other fascinating stories–and that sweet, sweet cover art!

I hope you stop by to hear Lian’s story.

PS. This is my first publication for 2020. There are a couple more things in the works, so do follow, stay tuned, and maybe even drop me a line…we of the writer-hermit folk subsist on little nuggets of feedback!